| Woz Records / EMI |
"Lunch, Recess & Detention" the 2012 "odds n' sods" collection by Marcy Playground |
By Andrew W.
Griffin
Red
Dirt Report, editor
Posted: August 30, 2012
CD REVIEW: Marcy Playground – Lunch, Recess &
Detention (Woz Records/EMI) 2012
For many alt-rock-loving Gen X’ers, the trio Marcy
Playground was one of those groups that had a fluke Top 10 hit – the slightly
creepy “Sex and Candy” – in late 1997, when other rockin’ bands like Third Eye
Blind, Everclear and Sugar Ray were in the spotlight with hits of their own.
I will admit to having lost track of Marcy
Playground after their cool hit “It’s Saturday” back in 1999 – singer/guitarist
John Wozniak, bassist Dylan Keefe, and a series of drummers, including current
percussionist Shlomi Lavie – but upon being reintroduced to MP, I am bummed
that I missed out on so much great music.
Which brings us to present day and the release of a Lunch, Recess & Detention, an “odds
n’ sods” collection of B-sides, rarities and unreleased gems that the band
wanted fans (and the merely curious) to listen to and enjoy.
And frankly, your Red Dirt Reporter thoroughly
enjoyed Lunch. In fact, I’ve since
gone back for seconds and thirds …
Surprisingly, the first track, “Shapeshifter,” had
been slated for the 1999 MP album of the same name. But because they recorded
so many songs for that disc, “Shapeshifter” was left off – until now. Listening
to it, Wozniak’s dreamy voice really stands out. And it is amazing that this
strong song was left off back then.
Two new versions of the iconic “Sex and Candy” are
featured. The first is a nearly-identical version that was recently re-recorded
so Israeli drummer Shlomi Lavie could appear on it (he reportedly didn’t know
who Marcy Playground were when he was growing up). The other version – the “disco
superfly remix” – is what you would expect, a slice of dancefloor cherry pie.
Propelling the musically muscular and surf-esque “Black
Eyed Sue” is one-time Marcy Playground drummer Dan Rieser. It was another tune
from the Shapeshifter sessions that
amazingly didn’t make a cut at the time. There are a lot of Shapeshifter-era
songs here, like the C.S. Lewis-inspired “Ballad of Aslan” and “Bye Bye,” among
others. Good stuff all.
One of the absolute stunning standouts on Lunch, Recess & Detention is Wozniak
& co.’s cover of Procol Harum’s baby boomer anthem “Whiter Shade of Pale,”
featuring organ work by guest musician Matthew Cody.
We give Wozniak credit for having the cojones to
tackle Leonard Cohen’s beautiful “Hallelujah.” And with just a voice and an
acoustic guitar, Woz successfully pulls it off. A striking addition to this musical
package.
And then there is Woz’s acoustic cover of Neil Young’s
“The Needle and the Damage Done.” Another bold choice and it is clear that the
MP singer takes it seriously, like the fragile piece of art that it is.
Canadian singer Jesse Dryfhout sings harmony with
Wozniak on the folk-rocker “Brand New Day,” giving the group a chance to sound
like fellow Minnesotans The Jayhawks. And that’s a good thing.
And while there is a sunnier feel to “Brand New Day,”
darker themes make themselves evident, as we hear on “Comin’ Up From Behind,”
an alternate version of a track that had been featured on the 1999 film
soundtrack for Cruel Intentions. It’s
slinky, dirty and bass-heavy.
Left off of the 2004 MP3 album was the reggae-influenced “Mr. Fisher,” the track on this
album that was chosen as the single. It’s beachy and fun and reminds a little
bit of something that Sugar Ray might have recorded.
Other songs, like “Crazy Katy Nicotine and Her Red
Jet Air Balloon” is a bit of rootsy bubblegum while Wozniak channels his inner
Cajun on the engaging number “Up and Down.”
A couple of tracks recorded during the mid-2000’s Leaving Wonderland .. in a fit of rage
sessions, like “Special” and “Rosey Risin’” were probably wisely left off that
album. They’re decent but not particularly strong tracks by Marcy Playground
standards.
But one that is remarkably strong is “The Angel of
the Forever Sleep” – recorded during the ’97 Marcy Playground sessions and featured as the flipside to “Sex and
Candy.” It’s a song about Wozniak’s close-call with death when he was a boy and
was hit by a car near the Marcy Open School in Minneapolis – the school (and
playground) that provided the inspiration for the band name. Dylan Keefe’s
Mellotron flourishes are a nice touch and give it the added dreamy, psychedelic
vibe that a song dealing with a near-death experience requires.
All in all, Lunch,
Recess & Detention is a strong reminder that there is far more to Marcy
Playground than “Sex and Candy.” They’ve got much, much more. Thanks guys!
For more information (and a place to buy some “Sex
and Candy” panties) go to www.marcyplaygorund.com.
Copyright
2012 Red Dirt Report